Wall-E (2008)
of Andrew Stanton
Robot and Heart
Wall-E be the last robot operating on Earth, since the human race has moved in space. He has worked for centuries to make cubes of waste, until, in 2700 about a much more advanced robot named EVE stop its laborious loneliness.
In recent seasons the film Pixar has certainly not left disappointed with his audience, even that Ratatouille last year was not too bad. And 'why do Wall-E leaves so surprised: it is hard to think that (almost) every year the quality gap is so obvious.
Wall-E far exceeds its predecessors in all respects: it is perhaps superfluous to say that the level of graphics and animations leaves open mouth (some desert landscapes of the earth are works of art in its own 'standing ). the character design is sublime, even in making the differences dall'obsoleto Wall -E to 'hyper EVE, the female counterpart. It must be stressed that probably also seen in animated films in the past gave more importance to the technical characters and settings (think of the progress made in the fur of animals) than a real artistic characterization, perhaps had more important designers, computer programmers, I can say without any doubt that this has been achieved the highest symbiosis between the two categories, both fabulous.
The narrative approach is only superficially traditional, because in reality detaches itself from the obsession of contemporary building a perfect story, with no drop in pace is always fast, and this is one of the reasons for success of the film: the story is quite simple, and remembering the lesson of the old classic Disney ample space is left to the poetry and emotion .
I do not want to stress that if he avoided the central part, which reflects the characteristics of speed above narrative, probably We are looking at a masterpiece with a capital. The strength of the film lies in the emotions that can transmit images, which many believed was no longer possible now, the era in which the video is dominant everywhere, making us insensitive. But if we exclude the part
purely poetic, and focus more on the film, the thing that leaves more astonished is the director: already with Ratatouille had made reflections on the fact that the animation could reach levels not achievable directorial with traditional film, and Wall-E that we can not find a to confirm this hypothesis, not that the traditional cinema is destined to go down, this will never happen, but we must be aware that you have successfully passed the level at which the so-called 'cartoons' are made frontal shots with fixed or at least a round. Things have changed, have achieved high levels of integration with filmed images 'from life', and use effects like black and white.
short, Wall-E is a film that should be seen by everyone, absolutely everyone, and if someone dares to say (about it) that is too sentimental to be accused of being insensitive.
A praise to the end credits the most beautiful ever seen, that cover art (pictured) from cave paintings to Expressionism or so with a background of George Michael .
Rating 9.5 / 10
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