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Religiolus - Seeing is Believing

directed by Larry Charles

with Bill Maher

A guy goes around talking to strangers and saying random things and then says have made a will document on religion.

There are movies that you can not see? No. Other than that, maybe. This film should be a documentary on religion, absolutely part (which is not a defect), a skeptical and scientific point of view. Unfortunately you do not save anything. First you need to see who is the protagonist: Bill Maher would, as mentioned above, a film critic on religion from a scientific point of view, the problem is that he knows nothing about it 'religion will' of science: as seen since the beginning of the film holder is in fact a failed comedian of the '80s. The only
notions about religion are pure American style, seem directly taken from a fourth-rate website, obviously out of context and without logic. I can not really grasp a coherent argument in everything that is said.
So far we have already identified a bad product, but still you could do a few laughs in the face of this kind convinced of what he says, and that, it is clear, says nonsense.
Think that will not get anywhere near a discussion with experts on the subject (God forbid!, The tenant would not hold even a second!): In fact the first to be interviewed, the topic of truck drivers (absurd but true) and so on between committed religious tourists to gift shops and many American-style plastic reconstruction of the Holy Land (even an actor playing Jesus, who knows, maybe they thought he was talking to the real one), all known to experts in theological issues (...). OK. But here comes the best part, everything falls here, and you'll fatigue while seeing to believe: to illustrate the guidelines of a religion minor American films is a bum (!) in London (London, what does?) delirious screaming in the middle of a square for a piece of bread and cited in this case religion. But let's move on. Another topic is the interview, in Amsterdam, a type of 'fact' that claims to have created a religion (the name does not even know him, there are followers, not tell us anything, there is no doubt that is a farce), and the entire interview was conducted while the guy is under the influence of drugs: here, as in all (everyone) the other dialogues, are mounted in video subtitle disparaging (but the interviewer could not speak ?) TV-style trash.
When he feels that 1) Maher does not know the famous Galilean interpretation of the Bible, that it was written without scientific criteria and should be placed in a specific historical context (the Bible is true to the spirit, not about the science) that is reiterated in a brief interview with a clergyman of the Vatican: the interviewer makes a face numb and can not say nothing (do not get it?), 2) do not even know a word of philosophy, sees a mile away who has never read a book to life (see the mentioned sites decontestualizzanti), from Augustine to Thomas Popper regarding the Holocaust, let alone the Greeks; 3) has no concept of the Trinity in the One, from a logical point of view you could explain to a child of 10 years (again, maybe we do not get) 4) use as evidence for the nonexistence of God that not see (unfortunately I'm not exaggerating), then the doubts are growing.
But at some point you realize that the film can be dangerous: the author does not try something, and convinced you are right: people often laugh in your face (but joking!?), Comes to be explicitly racist against Jews and Muslims portrays, this is unacceptable, all (everyone) Muslims as fanatical terrorists and suicide, apportions all (all) the evils of the world religions. The final scenes do come
shudder: we see how Maher can not in any way to distinguish between religion and politics, and it says explicitly that if religions are not uprooted the world will end.
not let the world fanatics. Let us not allow the information to the ignorant. This film is a warning.
OVERALL: Do not judge ignominy (less than 0 / 10).

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Against Coca-Cola spot



I think everyone has had a reaction, perhaps different from each other, seeing this advertisement. At a first glance it might seem cute, funny, even intelligent. Then it is natural turn up your nose that is seeing a commercial for coca-cola, with the obvious consequences that come to mind, that is a corporation, that those who commissioned the advertising is certainly not in those conditions, etc.. etc. ..
In fact the problem is more serious: here there is a natural post something that is not.
The financial crisis that has become widespread in the real economy we are told as a natural fact, so terrible, but inevitable. The thought of the big lobbyists so dominates uncontested by brainwashing the masses of workers who are paying all before. At the corporate suits who think that the economic crisis is a fact with the same randomness characteristics of a volcanic eruption, so that as the great manager and the corporation, just like the coca-cola, can continue with their speculations and their exploits (remember that the coca-cola has interests in many fields, to weapons). The poor people in this way can not complain, complain, think they can do something, do not think to blame the big industrialists who caused the crisis, at most will think that all this has God
We wanted to make sure that this indoctrination through the medium of television has stopped!
We can not allow the great bourgeois require us to endure and suffer for the disasters caused by them, in the sole name of enrichment wild!
Workers must free themselves from the chains of oppression and capitalism no longer accept that this system continues to exist!
Contrast this spot that tells us to be good and suffer, rebel now and the effect will be immediate!
Against Coca-Cola, against capitalist exploitation!

Sic hic finem iocus Habet.

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4 Months, 3 Weeks and 2 Days (review)




of Cristian Mungiu (2006)
with Anamaria Marinca , Vlad Ivanov, Laura Vasiliu

Otilia and Gabita , two students sharing a room in a university dormitory, living their lives during the last years of communism in Romania under Ceausescu . Gabita is pregnant but does not want the child, and Otilia contact a man who, illegally, to abortion, but the cost is very high.

Winner of the Palme d'Or at Cannes , 4 Months, 3 Weeks and 2 Days is a masterpiece that can hardly be reduced to words.
The environment in which the events take place is perhaps the real star of the film: the places are gray, dark, cold, people are no better, in fact we see the hotel keepers and petty curious, engaged relationships with artificial families hypocritical and false. the mirror of a country in the late eighties, still in the grip of communism, with the consequent alienation of any single individual, who can no longer look for a sincere and immediate contact.
The only chink in the film is the friendship between Gabita and Otilia, who will be sorely tested by the first unwanted pregnancy, and the help afforded it by his friend.
This is not a film about abortion, or better, can become as any action prohibited, under dictatorial rule, which falls in the fundamental rights, when it becomes necessary changes to a trauma, a tragedy. Here abortion, but really could have been anything else.
The pain brought by this event, the maximum amplified by the awareness of being outlawed by guilt and repressed, is dominant in every scene, until the final dissolution, in which the only refuge, the only solution is to try forget: forget the law, forget the violence inflicted on him themselves from others and to others, you forget to be human.
We can say with certainty that the face a neo expressionist film , thus indicating the position of pathos every situation through scientific study, through analysis and staged raw and true. Needless to say, the acting is superb, like almost every other aspect of the work.
A film that changes the way you see the film, a masterpiece.
rating: 10/10