Tuesday, March 23, 2010

Acn Human Catch Ticks From Dogs

The Adventures of The Rescuers (1977) Oscar



of John Lounsbery, Wolfgang Reitherman, Art Stevens

'The Adventures of White and Bernie ' is the fifth film classic Disney to be produced after the death of Walt Disney himself, and, strange to say, to separate them from the works before and after there is an abyss. This is probably the most dark between the classical and animations could be exaggerating to say that a sense of death pervades all the work. To explain this we need to introduce another element fundamental to the whole movie: the environments, because if the people understood in common sense does not always convince, the environments are extremely incisors in both narrative and imagination. It 'somewhat atypical in that a film's animated Disney film, with an audience of only children ( cartoon commercial with the general public is much later) landscapes are predominant represented by a New York, extraordinary scenes in the daytime but somewhat bleak in much more important night scenes, and especially from the swamp (need a guide: The Devil's Swamp) devoid of the usual elements of nature reassuring, playful, fantastic (see Peter Pan), but inconvenient, running, scary. And 'the swamp the true protagonist of the film, a swamp that contains many negative elements, from the evil Medusa and cruel Brutus and Nero (crocodiles), the claustrophobic cave continually threatened by the oil in which are hidden sterile treasures, along with skulls and skeletons, in this context can only barely sketched out of tune's aides and White Bernie present here, but in the end good forced to live in a place evil, in a place death note.

throughout the whole story is the anxiety prevailed, interrupted briefly by comedians that do not help to find a balance, a false happy ending, at the end the good is only transient, never overwhelms definitely, this is Black is the only hope for a distant tomorrow, as the song says the main, 'Tomorrow is another day'.

From a technical standpoint, the excellent background drawings, which are predominant dark shades, not are equally good character animations, and even the audio sector, though acceptable, does not reach the excellence of Disney. The

Adventures of the White and Bernie is an anomaly in the Disney landscape, although one could argue the opposite recalling the most famous below (first sequel to a classic, most famous for the image of Satan), but the differences are abysmal: a swamp you go to Australia, earth sun, and you leave with a history of anxiety most heroic, funny and trivial: note that the character the dragonfly, which remains at the end of the first film with two mice, disappears mysteriously , as the authors have wanted to erase the memory of certain circles.

the end, to be reviewed.

Rating: 7.5 / 10


Monday, March 8, 2010

Is Skin Cancer Communicable

2010-82 Academy Awards - All winners

BEST FILM: "The Hurt Locker '"
Best Director: Kathryn Bigelow ("The Hurt Locker")
Best Actor: Jeff Bridges ("Crazy Heart ")
Actress: Sandra Bullock (" The Blind Side ")
BEST SUPPORTING ACTOR: Christoph Waltz (" Inglourious Basterds ")
Best Supporting Actress: Monique (" Precious ")
BEST ORIGINAL SCREENPLAY: Mark Boal ( "The Hurt Locker")
Best Adapted Screenplay: Geoffrey Fletcher ("Precious")
BEST FILM OF "ANIMATION:" Up "
BEST FOREIGN FILM: "El Secreto de sus Ojos" (Argentina) Juan Jose Campanella
Best Art Direction: Rick Carter, Robert Stromberg and Kim Sinclair ("Avatar")
BEST PICTURE: Mauro Fiore ("Avatar") Best Costume Design: Sandy Powell ("The Young Victoria)
BEST EDITING: Bob Murawski, Chris Innis (" The Hurt Locker ")
BEST TRICK: Barney Burman, Mindy Hall and Joel Harle (" Star Trek ")
Best Original Score: Michael Giacchino (" Up ")
BEST ORIGINAL SONG:" The Weary Kind, Ryan Bingham, and T. Bone Burnett ("Crazy Heart")
Best Sound Editing: Paul NJ Ottosson ("The Hurt Locker")
BEST SOUND: Paul NJ Ottosson Beckett and Ray ("The Hurt Locker")
BEST SPECIAL EFFECTS: Joe Letteri, Stephen Rosenbaum, Richard and Andrew R. Baneham Jones ("Avatar")
BEST DOCUMENTARY: "The Cove" by Louie Psihoyos and Fisher Stevens
BEST DOCUMENTARY SHORT: "Music by Prudence" by Roger Ross Williams and Elinor Burkett
Best Animated Short: Logorama Nicolas Schmerkin
BEST SHORT D "ACTION:" The New Tenants "by Joachim Back and Tivi Magnusson

Sunday, March 7, 2010

Find Product Dimensions

The Hurt Locker (2008)



Kathryn Bigelow
with Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes, Evangeline Lilly

Two words, it is worth paying for The Hurt Locker, another favorite movie (and most candidates) for the Academy Awards. Two words, because the topic is too complex to be addressed in detail, not in terms of cinema, but the significance of this scene in the film industry. The Hurt Locker is a hard film, from the technical director and photography, which are aimed to describe in a completely objective one episode, a history, but also a History with a capital S, which inevitably would empty rhetoric. The protagonist is a U.S. Army explosives expert work on the front lines in Iraq, and the camera follows in a neutral manner, but for this even more intense, his experiences, his life always hanging by a thread, just a few meters or centimeters by murderous weapons that the intention of those who have built, serve only to kill. A life, his, who leaves every ideal and hope to become better, but eventually discovers focus on social value, as well as military. But The Hurt Locker is not just the story of a man, is the story of many men, in fact the protagonist is only a substitute of artifice that before he worked in the same team, but that is left in the field, is the story of an obsession with war, which does not allow those who have lived to forget once back home, but it is as in a tunnel with no exit, from which he never wants to go out, they 'can. After Iraq, the director wants to tell us, there is nothing, if not another war, and it is better to return to the battlefield to fight against himself 'themselves.

From a purely cinematic point of view, as mentioned above, dominated by a desire for realism, hyper realism, perhaps, muted only an insignificant part of the attribution of past epic feats to taste all-American hero and a part of although slight sentimentality. It 'calls for a while mentioned comparison with 4 months, 3 weeks, 2 days, which is surely the borrower artistic side: if in the latter film led to a hyper-realism exacerbated tension of the concept, history and character, producing a masterpiece, The Hurt Locker that fails, but not in an absolute sense, only in relation to a vision by those who, like us, not belonging to the American people and all the suffering that has lived underground in recent years. This does not mean you can not find this in some message or feeling in which we find ourselves, but certainly that anyone has responded, and sincerely acclamerà this film as a masterpiece without being American will operate an intellectual forcing must be considered artificial.

Rating: 6.5 / 10


Update 08/03: Trivia: With little surprise victory of the two most coveted Oscar (film and director) and another four for The Hurt Locker becomes part of the history of entertainment including film Gears of Wars, which is consumed in the film one of the few leisure moments for soldiers.