
Zack Snyder
With Malin Akerman, Jackie Earle Haley, Carla Gugino, Jeffrey Dean Morgan, Matthew Goode, Billy Crudup, Patrick Wilson, Stephen McHattie, Matt Frewer, Carrie Genzel
We are undoubtedly facing a particular job, certainly worthy of note. This does not mean that it is a masterpiece, and unfortunately it is hard also to say that it is a good movie.
But let's start from the positive side, those who make a movie to see: every great work (and, as already stated, that it is difficult to define it) has several floors, or levels of reading, you can also read Watchmen least three ways, all interesting: the first, the simplest, most direct, the direct to the general public is obviously purely narrative, which relates the story and characters. This is perhaps the most successful, and even more unusual and less trivial: first, the characters are very special (of course many of the advantages due to the film are first and foremost qualities of the original graphic novel), we see the usual hyperactive and superheroes intent on saving the world, but men and women, tired, disillusioned, recognizing the impossibility of obtaining a ransom by a company which for many years now does not want them more (Nixon , in his umpteenth term, banned the masks). And even when some of them seek a return to the glories of the past know that nothing is as before, except perhaps that he knew from the beginning that this beautiful world has never existed (the U.S. won the Vietnam War, but it seems that just from there has started an inexorable decline). E 'from here that the public understands that the film is a mature audience, not children and adolescents. Reflections on life's questions are not spared, and if you are interested in this type of film may be too boring (considering the general work).
The second level is the social one, and that is what has made the critical success of the film, on closer inspection, however, its strength will stop when it senses that are simple considerations included in a critical way about America ( little) superhero comics. The world is in the midst of the Cold War in the 80s is getting more dangerous, and the U.S. and USSR to limit the conflict, Nixon is in his fifth term, on city streets is death and destruction, and the police no longer has any power, can no longer hope even in the masked heroes, bright in the Second World War. The social aspect is, as mentioned above, when considered extremely valuable functional scope narrative, but got itself shows some uncertainty.
The third issue, the more complex, it is purely metaphysical, and flows directly into nihilism and relativism (which sorry, but can not be criticized here). Obviously this is generic and fake, but interesting as a metaphysical argument in a film of this kind is at least rare.
In a nutshell these are the interesting aspects, and apply the vision widely. Regarding defects, I will be brief, there is not much to say. The film is very long (two hours), and if not seen in cinema will be hard not to get distracted ever, the characters are too many, and we understand how the project was too ambitious in wanting to keep all the contents of balloon. Finally, it is certainly too many irons in the fire, there are many interesting topics that are barely mentioned (but perhaps is more valid is the character ...).
Are you tired of the usual fumettone year 50 (and also of the darker but still good like the last Batman), this alternative post-punk cynicism peppered with and without a happy ending for you.
Rating: 7.5 / 10